Saturday, September 29, 2012
Thursday, September 27, 2012
Ground Zero Live with Clyde Lewis
Rituals, Rites, 66, Qliphoth, Fallen Angels, The Mark of the Beast, Madonna, Homunculus, Chernabog, Night on Bald Mountain, Fantasia, Walt Disney, Charles Manson, Revelation 9:11, Abaddon, Apollyon the Destroyer, The Moon Child, Rosemary's Baby, Cambions, Demons, Souls. Frédéric Prinz von Anhalt, Voldemort, MDNA, Esther, Timothy Leary, Blue Brain Project, Inserting Spirit into Body, Anton LaVey, Transhumanism, Michael Jackson, P300, Aleister Crowley, Jack Parsons, Soul Transfers, The Avatar Project, Robonaut 2, CERN
Posted by Floyd Anderson at 10:18 PM
Tuesday, September 25, 2012
Monday, September 24, 2012
Ever wanted to see some real live Zionist war-makers beating the drums of war in the U.S. media? Just think, behavior such as this leads to thousands of dead U.S. troops, thousands of dead Arabs, and the overthrow of governments in the Middle East. Seen it all before? We're seeing it all again. The drum beat for war, based on a country's supposed WMDs.
Posted by Floyd Anderson at 9:53 PM
“We have witnessed that some members of the Security Council with veto right have chosen silence with regard to the nuclear warheads of a fake regime while at the same time they impede scientific progress of other nations.”
Posted by Floyd Anderson at 9:35 PM
Posted by Floyd Anderson at 11:35 AM
Saturday, September 22, 2012
Tuesday, September 18, 2012
Posted by Floyd Anderson at 8:50 PM
Monday, September 17, 2012
Saturday, September 15, 2012
Bizarre story behind film that supposedly sparked Middle East unrest
Paul Joseph Watson
Thursday, September 13, 2012
A trailer for the film, entitled The Innocence of Muslims, has been on You Tube for over two months. Despite the alleged film maker’s claim that the movie was funded by rich Jewish donors to the tune of $5 million dollars, it has all the quality of a low budget film school project. The trailer has now been banned in several middle eastern countries, including Egypt and Afghanistan.
Indeed, the full film itself may not even exist, a doubt that has also been shared about the existence of its shadowy director Sam Bacile, who told the Associated Press this week that he was a 56-year-old “Israeli Jew” who lives in California, despite telling actors on set that he is Egyptian, while others have claimed he is an American.
Bacile claims he made the film to illustrate how “Islam is a cancer, period.”
However, numerous authorities have failed in attempting to locate a ‘Sam Bacile’ residing in California. Bacile is likely a pseudonym for the only real person who has been positively connected with the movie – Nakoula Basseley Nakoula, a 55-year-old Coptic Christian living in California who was convicted for federal bank fraud in 2010.
The movie itself – or the 14 minutes of it which have been released – is also highly suspect. Actors involved in filming were told “they were appearing in a film about the life of a generic Egyptian 2,000 years ago.” Following the attack on the U.S. Consulate in Benghazi, all 80 cast members put out a joint statement stating that they were misled by the producer.
“The entire cast and crew are extremely upset and feel taken advantage of by the producer. We are 100% not behind this film and were grossly misled about its intent and purpose,” the statement says. “We are shocked by the drastic re-writes of the script and lies that were told to all involved. We are deeply saddened by the tragedies that have occurred.”
The film has been purposely dubbed and edited to elicit maximum outrage from Muslims. The Prophet Muhammad is depicted as a pedophile, a homosexual, a religious phony, a philanderer, a womanizer and a bloodthirsty dictator.
During dialogue, the actors words have been crudely dubbed to include references to Muhammad that were not in the original script.
As Cindy Lee Garcia, an actress involved in the movie, told Gawker, “In the script and during the shooting, nothing indicated the controversial nature of the final product. Muhammed wasn’t even called Muhammed; he was “Master George.”
“The words Muhammed were dubbed over in post-production, as were essentially all other offensive references to Islam and Muhammed,” writes Adrian Chen.
For example, at 9:03 in the trailer, the words “Is your Muhammed a child molester?” are heard, yet the actress’ voice has been dubbed as her lips do not form the word “Muhammed”.
As the Christian Science Monitor summarizes, the film looks like, “it could have been ginned up by someone sitting a basement with cheap dubbing software.”
Everything about the movie suggests it was a contrived fraud to artificially manufacture unrest in the middle east at a time where speculation that the U.S. and Israel are about to launch military interventions in Iran and Syria is rife.
The amateurish nature of the film may be a ruse to deflect suspicion away from its true purpose and the real identities of its creators.
“Those sniffing the air properly smell some sort of intelligence/influence operation in the whole situation,” writes Daniel McAdams, comparing the film to Kony 2012. “A purposely bad cover for what happened in Benghazi yesterday? A badly done attempted cover for what happened yesterday? Arabs — even Muslim Brotherhood — looking to score points by blaming “wealthy Jews” for making the film? A power struggle between Islamist factions in Egypt? Israelis attempting to make it look like Arabs made a crudely anti-Semitic cover story for a crude film?”
What’s known for sure is the fact that the establishment media has seized upon the movie as an excuse to explain away the attacks on the embassies in Cairo and Benghazi as just another instance of extremist Muslims getting riled up over nothing in particular.
Subsequent reports confirmed that the attacks were coordinated well in advance of the release of the Arabic version of the trailer this week and had nothing to do with the film, but the media immediately ran with that narrative.
This conveniently disguises the true narrative behind the attacks, which is the fact that the United States and other NATO powers are seeing their chickens come home to roost having armed and empowered Al-Qaeda affiliated Islamic extremists in pursuit of regime change, most notably in Libya where the removal of Gaddafi was achieved via NATO’s support for the Libyan Islamic Fighting Group – which is listed as a terrorist organization by the State Department and was responsible for killing U.S. troops in Iraq.
Given that these same militants are now being used by Gulf states and NATO powers in a bid to topple President Bashar Al-Assad in Syria, their connection to the embassy attacks must be downplayed. This was evident when NATO stooge Ali Aujali, Libya’s Ambassador to Washington, ludicrously claimed that Gaddafi loyalists were responsible for killing Ambassador Stevens.
With embassies in Yemen, Tunisia and other countries now coming under siege, the mass media’s promotion of what would otherwise have been an obscure, ineffectual and downright laughable 14 minute You Tube trailer has now created a crisis that threatens the stability of the entire region.
The bizarre circumstances behind The Innocence of Muslims, its shadowy creators and the deliberate attempt to manipulate the film to offend Muslims clearly suggests that the whole farce was a contrived set-up to inflame tensions in order to justify an acceleration of U.S., Israeli and NATO aggression across the Middle East and North Africa.
Posted by Floyd Anderson at 12:21 PM
Tuesday, September 11, 2012
By Floyd Anderson
September 11, 2012
Peering into the realm of meaningful timing in the release of Bob Dylan albums reveals some noteworthy connections, with the ongoing 9/11 emphasis becoming nothing short of incredible, culminating in Dylan’s September 11, 2012 release of Tempest, a nod to Shakespeare’s final play.
Being a deep and mysterious artist who is tuned into the workings of this world and beyond, it is evident that Mr. Dylan has wanted to send messages by emphasizing dates in the way he operates and when his works are released to the world. One wonders how much influence he has in these matters.
Dylan's August 29, 2006 release of Modern Times was on the one-year anniversary of Hurricane Katrina, with the 9th track being “The Levee's Gonna Break.” That’s one release date that certainly seems to not be by chance. Interestingly, just a few days ago on August 29, 2012, Hurricane Isaac arrived in New Orleans exactly 7 years after Katrina. Ritual conspiracy? Maybe. I wonder how conspiratorial Bob Dylan’s mind gets with world events.
On November 22, 1965, the 2nd anniversary of the JFK assassination, Dylan married 25-year-old former Playboy Bunny Sara Lownds. Bob reportedly "depended on her advice as if she were his astrologer, his oracle, his seer, his psychic guide. He would rely on her to tell him the best hour and the best day to travel."
According to Bob Dylan's friend Bob Fass who was with him on the day of JFK’s death, Dylan was deeply affected by the murder of John F. Kennedy and said: "What it means is that they are trying to tell you 'Don't even hope to change things'." In a manuscript written shortly after the assassination, he wrote: "there is no right or left there is only up and down."
The obvious conspiracy and cover-up of the JFK assassination did indeed send a message that there are forces that can murder someone as significant as the U.S. President in broad daylight and get away with it. Dylan’s songwriting noticeably shifted away from protest songs after JFK’s death and I tend to think that the event influenced Bob to not want to continue protesting the government and society in such a literal way, and made him especially not want to be the leading anti-establishment protest singer, lest he meet a similar fate. For him to get married on the anniversary of that fateful day is an insight into his way of thinking, indicating that the decision was made to merge an important event of his life with a significant event from the past. Just think of your wedding anniversary being on the anniversary of the JFK assassination.
There are other Bob Dylan album release dates that jump out at me such as the October 13, 2009 release of Christmas in the Heart being on the anniversary of the infamous Friday the 13th of October 1307 when the Knights Templar were rounded up in France.
Now we get to September 11th. The release dates of these three albums is mind blowing:
Under the Red Sky released September 11, 1990
Was the 9/11 event so transformational that it was somehow psychically manifested in the release dates of Bob Dylan albums? Did Bob Dylan (or someone) orchestrate these 9/11 synchronicities with his albums on purpose having foreknowledge of the events? Is 9/11 a significant occult number and date? Did all this just happen by chance? Is it all just a coincidence?
Bob Dylan released an album on the day President George H.W. Bush first publicly called for a New World Order on 9/11/1990.
I don't claim to have the answers as to how all this came about, but it is interesting that Dylan is Jewish. Despite the mainstream version of 9/11 now being taught to our children in schools, the 9/11 attacks appear to have been orchestrated by the international Zionist network to trigger revenge in the hearts and minds of Americans, wars in the Middle East, and the spread of Greater Israel. In other words, to get the U.S. Military to overthrow Middle Eastern governments to benefit the Israel project. Dylan being a famous musician and a Jew has no doubt gained him high level access to information that has taught him about the plans of international Zionism.
But is he using the release date of albums to show that he knows what they are up to? Could it be foreknowledge? Could Bob Dylan perhaps have received these thoughts from somewhere else? Somewhere spiritual? A psychic connection? Tapping into another realm?
The enormous amount of 9/11 synchronicities is jaw dropping, and I experienced some firsthand. How strange that the 9/11 conspiracy is what woke me up, and I just happened to draw a clock for art class a few years earlier with the hands of the clock pointing towards the hours of 9, 11, and 1?
Track 9, "Honest with Me," contains the lyrics
Well, I'm stranded in the city that never sleeps
The Siamese twins are comin' to town
People can't wait, they've gathered around
I'm here to create the new imperial empire
I'm gonna do whatever circumstances require
Track 7, "High Water (for Charley Patton)," has the lyrics
Coffins droppin' in the street
Like balloons made out of lead
Well, George Lewis told the Englishman, the Italian and the Jew
“You can’t open your mind, boys
To every conceivable point of view”
They got Charles Darwin trapped out there on Highway 5
Judge says to the High Sheriff,
“I want him dead or alive
Either one, I don’t care”
George W. Bush would soon announce that he wants Osama Bin Laden dead or alive.
Posted by Floyd Anderson at 12:00 AM