“I’ll tell it and speak it and think it and breathe itAnd reflect from the mountain so all souls can see it”
By Floyd Anderson
September 11, 2012
Peering into the realm of meaningful timing in the release of Bob Dylan albums reveals some noteworthy connections, with the ongoing 9/11 emphasis becoming nothing short of incredible, culminating in Dylan’s September 11, 2012 release of Tempest, a nod to Shakespeare’s final play.
Being a deep and mysterious artist who is tuned into the workings of this world and beyond, it is evident that Mr. Dylan has wanted to send messages by emphasizing dates in the way he operates and when his works are released to the world. One wonders how much influence he has in these matters.
Dylan's August 29, 2006 release of Modern Times was on the one-year anniversary of Hurricane Katrina, with the 9th track being “The Levee's Gonna Break.” That’s one release date that certainly seems to not be by chance. Interestingly, just a few days ago on August 29, 2012, Hurricane Isaac arrived in New Orleans exactly 7 years after Katrina. Ritual conspiracy? Maybe. I wonder how conspiratorial Bob Dylan’s mind gets with world events.
On November 22, 1965, the 2nd anniversary of the JFK assassination, Dylan married 25-year-old former Playboy Bunny Sara Lownds. Bob reportedly "depended on her advice as if she were his astrologer, his oracle, his seer, his psychic guide. He would rely on her to tell him the best hour and the best day to travel."
According to Bob Dylan's friend Bob Fass who was with him on the day of JFK’s death, Dylan was deeply affected by the murder of John F. Kennedy and said: "What it means is that they are trying to tell you 'Don't even hope to change things'." In a manuscript written shortly after the assassination, he wrote: "there is no right or left there is only up and down."
The obvious conspiracy and cover-up of the JFK assassination did indeed send a message that there are forces that can murder someone as significant as the U.S. President in broad daylight and get away with it. Dylan’s songwriting noticeably shifted away from protest songs after JFK’s death and I tend to think that the event influenced Bob to not want to continue protesting the government and society in such a literal way, and made him especially not want to be the leading anti-establishment protest singer, lest he meet a similar fate. For him to get married on the anniversary of that fateful day is an insight into his way of thinking, indicating that the decision was made to merge an important event of his life with a significant event from the past. Just think of your wedding anniversary being on the anniversary of the JFK assassination.
There are other Bob Dylan album release dates that jump out at me such as the October 13, 2009 release of Christmas in the Heart being on the anniversary of the infamous Friday the 13th of October 1307 when the Knights Templar were rounded up in France.
Now we get to September 11th. The release dates of these three albums is mind blowing:
Under the Red Sky released September 11, 1990
Love And Theft released September 11, 2001
Tempest released September 11, 2012
Was the 9/11 event so transformational that it was somehow psychically manifested in the release dates of Bob Dylan albums? Did Bob Dylan (or someone) orchestrate these 9/11 synchronicities with his albums on purpose having foreknowledge of the events? Is 9/11 a significant occult number and date? Did all this just happen by chance? Is it all just a coincidence?
Bob Dylan released an album on the day President George H.W. Bush first publicly called for a New World Order on 9/11/1990.
Love And Theft commercialThen Dylan released an album exactly 11 years later on the day of the 9/11/2001 attacks on America when Bush's son George W. Bush was President. This event was used as the pretext to escalate the march towards world government and a New World Order. In the TV commercial for Love and Theft, Bob Dylan is dealt a royal flush.
I don't claim to have the answers as to how all this came about, but it is interesting that Dylan is Jewish. Despite the mainstream version of 9/11 now being taught to our children in schools, the 9/11 attacks appear to have been orchestrated by the international Zionist network to trigger revenge in the hearts and minds of Americans, wars in the Middle East, and the spread of Greater Israel. In other words, to get the U.S. Military to overthrow Middle Eastern governments to benefit the Israel project. Dylan being a famous musician and a Jew has no doubt gained him high level access to information that has taught him about the plans of international Zionism.
But is he using the release date of albums to show that he knows what they are up to? Could it be foreknowledge? Could Bob Dylan perhaps have received these thoughts from somewhere else? Somewhere spiritual? A psychic connection? Tapping into another realm?
The enormous amount of 9/11 synchronicities is jaw dropping, and I experienced some firsthand. How strange that the 9/11 conspiracy is what woke me up, and I just happened to draw a clock for art class a few years earlier with the hands of the clock pointing towards the hours of 9, 11, and 1?
"9/11/01 Clock" by Floyd Anderson, 1995 or '96 pencil on paper, 10 7/8" x 13 1/2"
My receipt from 9/11/2001Some of the lyrics on Love and Theft have an eerie similarity to the 9/11 attacks on the Twin Towers.
Track 9, "Honest with Me," contains the lyrics
Well, I'm stranded in the city that never sleeps
The Siamese twins are comin' to town
People can't wait, they've gathered around
I'm here to create the new imperial empire
I'm gonna do whatever circumstances require
Track 7, "High Water (for Charley Patton)," has the lyrics
Coffins droppin' in the street
Like balloons made out of lead
Well, George Lewis told the Englishman, the Italian and the Jew
“You can’t open your mind, boys
To every conceivable point of view”
They got Charles Darwin trapped out there on Highway 5
Judge says to the High Sheriff,
“I want him dead or alive
Either one, I don’t care”
George W. Bush would soon announce that he wants Osama Bin Laden dead or alive.